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🔗 Technology 🔗 Canada 🔗 Guild of Copy Editors 🔗 Engineering

A screw drive is a system used to turn a screw. At a minimum, it is a set of shaped cavities and protrusions on the screw head that allows torque to be applied to it. Usually, it also involves a mating tool, such as a screwdriver, that is used to turn it. The following heads are categorized based on commonality, with some of the less-common drives being classified as "tamper-resistant".

Most heads come in a range of sizes, typically distinguished by a number, such as "Phillips #00". These sizes do not necessarily describe a particular dimension of the drive shape, but rather are arbitrary designations.

🔗 Soviet Union 🔗 Russia 🔗 Death 🔗 Guild of Copy Editors 🔗 Russia/physical geography of Russia 🔗 Russia/history of Russia 🔗 Russia/sports and games in Russia

The Dyatlov Pass incident (Russian: Гибель тургруппы Дятлова) was an event where nine Russian hikers died in the northern Ural Mountains between 1 and 2 February 1959, in uncertain circumstances. The experienced trekking group, who were all from the Ural Polytechnical Institute, had established a camp on the slopes of Kholat Syakhl, in an area now named in honor of the group's leader, Igor Dyatlov. During the night, something caused them to tear their way out of their tents and flee the campsite, all while inadequately dressed for the heavy snowfall and sub-zero temperatures.

After the group's bodies were discovered, an investigation by Soviet authorities determined that six had died from hypothermia while the other three showed signs of physical trauma. One victim had a fractured skull; two others had major chest fractures and the body of one of the group was missing both its eyes. One of the victims was missing a tongue. The investigation concluded that a "compelling natural force" had caused the deaths. Numerous theories have been put forward to account for the unexplained deaths, including animal attacks, hypothermia, avalanche, katabatic winds, infrasound-induced panic, military involvement, or some combination of these.

🔗 United States 🔗 Marketing & Advertising 🔗 Guild of Copy Editors 🔗 United States/Massachusetts - Boston 🔗 United States/American television 🔗 Cartoon Network

On the morning of January 31, 2007, the Boston Police Department and the Boston Fire Department mistakenly identified battery-powered LED placards depicting the Mooninites, characters from the Adult Swim animated television series Aqua Teen Hunger Force, as improvised explosive devices (IEDs), leading to a massive panic. Placed throughout Boston, Massachusetts, and the surrounding cities of Cambridge and Somerville by Peter "Zebbler" Berdovsky and Sean Stevens, these devices were part of a nationwide guerrilla marketing advertising campaign for Aqua Teen Hunger Force Colon Movie Film for Theaters.

The massive panic led to controversy and criticism from U.S. media sources, including The Boston Globe, Los Angeles Times, Fox News, The San Francisco Chronicle, The New York Times, CNN, and The Boston Herald. Some ridiculed the city's response to the devices—including the arrests of the two men hired to place the placards around the area—as disproportionate and indicative of a generation gap between city officials and the younger residents of Boston, at whom the ads were targeted. Several sources noted that the hundreds of officers in the Boston police department or city emergency planning office on scene were unable to identify the figure depicted for several hours until a young staffer at Mayor Thomas Menino's office saw the media coverage and recognized the figures.

After the devices were removed, the Boston Police Department stated in its defense that the ad devices shared some similarities with improvised explosive devices, with them also discovering an identifiable power source, a circuit board with exposed wiring, and electrical tape. Investigators were not mollified by the discovery that the devices were not explosive in nature, stating they still intended to determine "if this event was a hoax or something else entirely". Although city prosecutors eventually concluded there was no ill intent involved in the placing of the ads, the city continues to refer to the event as a "bomb hoax" (implying intent) rather than a "bomb scare".

Reflecting years later, various academics and media sources have characterized the phenomenon as a form of social panic. Gregory Bergman wrote in his 2008 book BizzWords that the devices were basically a self-made form of the children's toy Lite-Brite. Bruce Schneier wrote in his 2009 book Schneier on Security that Boston officials were "ridiculed" for their overreaction to the incident. In his 2009 book Secret Agents, historian and communication professor Jeremy Packer discussed a cultural phenomenon called the "panic discourse" and described the incident as a "spectacular instance of this panic". In a 2012 article, The Boston Phoenix called the incident the "Great Mooninite Panic of 2007". A 2013 publication by WGBH wrote that the majority of Boston youth thought that the arrests of two men who placed devices were not justified.

🔗 Electronics 🔗 Guild of Copy Editors

The capacitor plague was a problem related to a higher-than-expected failure rate of non-solid aluminum electrolytic capacitors, between 1999 and 2007, especially those from some Taiwanese manufacturers, due to faulty electrolyte composition that caused corrosion accompanied by gas generation, often rupturing the case of the capacitor from the build-up of pressure.

High failure rates occurred in many well-known brands of electronics, and were particularly evident in motherboards, video cards, and power supplies of personal computers.

🔗 United States 🔗 Spaceflight 🔗 Philately 🔗 Guild of Copy Editors

The Apollo 15 postal covers incident, a 1972 NASA scandal, involved the astronauts of Apollo 15, who carried about 400 unauthorized postal covers into space and to the Moon's surface on the Lunar Module Falcon. Some of the envelopes were sold at high prices by West German stamp dealer Hermann Sieger, and are known as "Sieger covers". The crew of Apollo 15, David Scott, Alfred Worden and James Irwin, agreed to take payments for carrying the covers; though they returned the money, they were reprimanded by NASA. Amid much press coverage of the incident, the astronauts were called before a closed session of a Senate committee and never flew in space again.

The three astronauts and an acquaintance, Horst Eiermann, had agreed to have the covers made and taken into space. Each astronaut was to receive about $7,000. Scott arranged to have the covers postmarked on the morning of the Apollo 15 launch on July 26, 1971. They were packaged for space and brought to him as he prepared for liftoff. Due to an error, they were not included on the list of the personal items he was taking into space. The covers spent July 30 to August 2 on the Moon inside Falcon. On August 7, the date of splashdown, the covers were postmarked again on the recovery carrier USS Okinawa. One hundred were sent to Eiermann (and passed on to Sieger); the remaining covers were divided among the astronauts.

Worden had agreed to carry 144 additional covers, largely for an acquaintance, F. Herrick Herrick; these had been approved for travel to space. Apollo 15 carried a total of approximately 641 covers. In late 1971, when NASA learned that the Herrick covers were being sold, the astronauts' supervisor, Deke Slayton, warned Worden to avoid further commercialization of what he had been allowed to take into space. After Slayton heard of the Sieger arrangement, he removed the three as backup crew members for Apollo 17, though the astronauts had by then refused compensation from Sieger and Eiermann. The Sieger matter became generally known in the newspapers in June 1972. There was widespread coverage; some said astronauts should not be allowed to reap personal profits from NASA missions.

By 1977, all three former astronauts had left NASA. In 1983, Worden sued, and the covers were returned to them. One of the postal covers given to Sieger sold for over $50,000 in 2014.

🔗 Human rights 🔗 History 🔗 Military history 🔗 Crime 🔗 Death 🔗 China 🔗 Politics 🔗 Socialism 🔗 Law Enforcement 🔗 Sociology 🔗 Guild of Copy Editors 🔗 Military history/Cold War 🔗 Military history/Asian military history 🔗 Military history/Chinese military history 🔗 Crime and Criminal Biography

The Tiananmen Square protests, also known as the June Fourth Incident (Chinese: 六四事件; pinyin: liùsì shìjiàn) in China, were student-led demonstrations held in Tiananmen Square, Beijing during 1989. In what is known as the Tiananmen Square Massacre (Chinese: 天安门大屠杀; pinyin: Tiān'ānmén dà túshā), troops armed with assault rifles and accompanied by tanks fired at the demonstrators and those trying to block the military's advance into Tiananmen Square. The protests started on 15 April and were forcibly suppressed on 4 June when the government declared martial law and sent the People's Liberation Army to occupy parts of central Beijing. Estimates of the death toll vary from several hundred to several thousand, with thousands more wounded. The popular national movement inspired by the Beijing protests is sometimes called the '89 Democracy Movement (Chinese: 八九民运; pinyin: Bājiǔ mínyùn) or the Tiananmen Square Incident (Chinese: 天安门事件; pinyin: Tiān'ānmén shìjiàn).

The protests were precipitated by the death of pro-reform Chinese Communist Party (CCP) general secretary Hu Yaobang in April 1989 amid the backdrop of rapid economic development and social change in post-Mao China, reflecting anxieties among the people and political elite about the country's future. The reforms of the 1980s had led to a nascent market economy that benefited some people but seriously disadvantaged others, and the one-party political system also faced a challenge to its legitimacy. Common grievances at the time included inflation, corruption, limited preparedness of graduates for the new economy, and restrictions on political participation. Although they were highly disorganized and their goals varied, the students called for greater accountability, constitutional due process, democracy, freedom of the press, and freedom of speech. At the height of the protests, about one million people assembled in the Square.

As the protests developed, the authorities responded with both conciliatory and hardline tactics, exposing deep divisions within the party leadership. By May, a student-led hunger strike galvanized support around the country for the demonstrators, and the protests spread to some 400 cities. Among the CCP's top leadership, Premier Li Peng and Party Elders Li Xiannian and Wang Zhen called for decisive action through violent suppression of the protesters, and ultimately managed to win over Paramount Leader Deng Xiaoping and President Yang Shangkun to their side. On 20 May, the State Council declared martial law. They mobilized as many as ~300,000 troops to Beijing. The troops advanced into central parts of Beijing on the city's major thoroughfares in the early morning hours of 4 June, killing both demonstrators and bystanders in the process. The military operations were under the overall command of General Yang Baibing, half-brother of President Yang Shangkun.

The international community, human rights organizations, and political analysts condemned the Chinese government for the massacre. Western countries imposed arms embargoes on China. The Chinese government made widespread arrests of protesters and their supporters, suppressed other protests around China, expelled foreign journalists, strictly controlled coverage of the events in the domestic press, strengthened the police and internal security forces, and demoted or purged officials it deemed sympathetic to the protests. More broadly, the suppression ended the political reforms begun in 1986 and halted the policies of liberalization of the 1980s, which were only partly resumed after Deng Xiaoping's Southern Tour in 1992. Considered a watershed event, reaction to the protests set limits on political expression in China that have lasted up to the present day. Remembering the protests is widely associated with questioning the legitimacy of CCP rule and remains one of the most sensitive and most widely censored topics in China.

🔗 Technology 🔗 Canada 🔗 Guild of Copy Editors 🔗 Engineering

A screw drive is a system used to turn a screw. At a minimum, it is a set of shaped cavities and protrusions on the screw head that allows torque to be applied to it. Usually, it also involves a mating tool, such as a screwdriver, that is used to turn it. The following heads are categorized based on commonality, with some of the less-common drives being classified as "tamper-resistant".

Most heads come in a range of sizes, typically distinguished by a number, such as "Phillips #00". These sizes do not necessarily describe a particular dimension of the drive shape, but rather are arbitrary designations.

🔗 Film 🔗 Africa 🔗 Film/American cinema 🔗 Guild of Copy Editors 🔗 Animal rights

Roar is a 1981 American adventure comedy film written, produced, and directed by Noel Marshall. Roar's story follows Hank, a naturalist who lives on a nature preserve in Africa with lions, tigers, and other big cats. When his family visits him, they are instead confronted by the group of animals. The film stars Marshall as Hank and Tippi Hedren as his wife Madeleine, with Melanie Griffith, and Marshall's sons John and Jerry Marshall in supporting roles.

In 1969, while Hedren was filming Satan's Harvest in Mozambique, she and Marshall had occasion to observe a pride of lions move into a recently vacated house, driven by increased poaching. They decided to make a film centered around that theme, bringing rescued big cats into their homes in California and living with them. Filming began in 1976; it was finished after five years. The film was fully completed after 11 years in production.

Roar was not initially released in North America; in 1981, Noel and John Marshall privately released it internationally. It was also acquired by Filmways Pictures and Alpha Films. Despite performing well in Germany and Japan, Roar was a box office failure, grossing $2 million worldwide against a $17 million budget. In 2015, 34 years after the film's original release, it was released in theaters in the United States by Drafthouse Films. Roar's message of protection for African wildlife as well as its animal interactions were praised by critics, but its plot, story, inconsistent tone, dialogue, and editing were criticized.

The cast and crew members of Roar faced dangerous situations during filming; seventy people, including the film's stars, were injured as a result of multiple animal attacks. Flooding from a dam destroyed much of the set and equipment during its production, and the film's budget increased drastically. In 1983, Hedren founded the Roar Foundation and established the Shambala Preserve sanctuary, to house the animals appearing in the film. She also wrote a book, The Cats of Shambala (1985), about many of the film's events. The film has been described as "the most dangerous film ever made" and "the most expensive home movie ever made", and has gained a cult following.

🔗 Aviation 🔗 Telecommunications 🔗 Guild of Copy Editors

In the U.S., Federal Communications Commission (FCC) regulations prohibit the use of mobile phones aboard aircraft in flight. Contrary to popular misconception, the Federal Aviation Administration (FAA) does not actually prohibit the use of personal electronic devices (including cell phones) on aircraft. Paragraph (b)(5) of 14 CFR 91.21 leaves it up to the airlines to determine if devices can be used in flight, allowing use of "Any other portable electronic device that the operator of the aircraft has determined will not cause interference with the navigation or communication system of the aircraft on which it is to be used."

In Europe, regulations and technology have allowed the limited introduction of the use of passenger mobile phones on some commercial flights, and elsewhere in the world many airlines are moving towards allowing mobile phone use in flight. Many airlines still do not allow the use of mobile phones on aircraft. Those that do often ban the use of mobile phones during take-off and landing.

Many passengers are pressing airlines and their governments to allow and deregulate mobile phone use, while some airlines, under the pressure of competition, are also pushing for deregulation or seeking new technology which could solve the present problems. On the other hand, official aviation agencies and safety boards are resisting any relaxation of the present safety rules unless and until it can be conclusively shown that it would be safe to do so. There are both technical and social factors which make the issues more complex than a simple discussion of safety versus hazard.

🔗 United States 🔗 Film 🔗 Library of Congress 🔗 Film/American cinema 🔗 United States/Film - American cinema 🔗 Science Fiction 🔗 Transhumanism 🔗 Guild of Copy Editors 🔗 Film/Core 🔗 Film/British cinema 🔗 Hertfordshire

2001: A Space Odyssey is a 1968 epic science fiction film produced and directed by Stanley Kubrick. The screenplay was written by Kubrick and science fiction author Arthur C. Clarke, and was inspired by Clarke's 1951 short story "The Sentinel" and other short stories by Clarke. Clarke also published a novelisation of the film, in part written concurrently with the screenplay, after the film's release. The film stars Keir Dullea, Gary Lockwood, William Sylvester, and Douglas Rain, and follows a voyage by astronauts, scientists and the sentient supercomputer HAL to Jupiter to investigate an alien monolith.

The film is noted for its scientifically accurate depiction of space flight, pioneering special effects, and ambiguous imagery. Kubrick avoided conventional cinematic and narrative techniques; dialogue is used sparingly, and there are long sequences accompanied only by music. The soundtrack incorporates numerous works of classical music, by composers including Richard Strauss, Johann Strauss II, Aram Khachaturian, and György Ligeti.

The film received diverse critical responses, ranging from those who saw it as darkly apocalyptic to those who saw it as an optimistic reappraisal of the hopes of humanity. Critics noted its exploration of themes such as human evolution, technology, artificial intelligence, and the possibility of extraterrestrial life. It was nominated for four Academy Awards, winning Kubrick the award for his direction of the visual effects. The film is now widely regarded as one of the greatest and most influential films ever made. In 1991, it was selected by the United States Library of Congress for preservation in the National Film Registry. In 2022, 2001: A Space Odyssey placed in the top ten of Sight & Sound's decennial critics' poll, and topped their directors' poll.